今晚演出（武昌）纽约电子舞曲Ratatat：摇滚基调+轻快电子乐

今晚现场见！...





VOX武昌店

时间：20：30

票价：120 现场

嘉宾 ：CodNew

地点：洪山区鲁磨路118号国光大厦VOX LIVEHOUSE

VOX LIVEHOUSE（Wuchang）

Time：20：30

Ticket：At door 120

Add：Guoguang BLDG., 118# Lumo Rd., Hongshan Dist., Wuhan

原名为 Cherry 的纽约双人乐队 Ratatat，以摇滚基调+轻快电子乐的形式俘获听众的耳朵。Evan Mast 这位器乐多面手负责编曲，Mike Stroud 则玩转吉他。Mast 同时也是 E*vax 的幕后主脑，他和他的兄弟 E*Rock 还运营着独立电子厂牌 Audio Dregs，正职是一名平面设计师；Mike Stroud 则经常作为支援乐手参与其他音乐人的巡演和录音，与 Ben Kweller 和曾演唱《蜘蛛侠2》主题曲“Vindicated”的 Dashboard Confessional 等都有过合作。



在与曾获水星奖的苏格兰独立摇滚乐队 Franz Ferdinand、美国后朋克舵手 Interpol 以及去年年底二度来到中国演出的数学摇滚先驱 Battles 等知名音乐人一同巡演后，Ratatat 得到了关注，被贝阁旗下的 XL Recordings 厂牌相中。2004年春季，Ratatat 的同名处女作终于问世，此后他们与舞曲朋克!!!（chk chk chk）、独立实验女子组 Electrelane、后摇传奇 Tortoise 等乐队共同巡演。2006年，在纯电子乐中穿插马铃、提琴和吉他滑音的专辑《Classics》出版，天马行空的狂想也获得了听者的喜爱。在经过短暂的录制，第三张全长专辑《LP3》面世，其中，他们改变了惯常元素，增强了现场打击乐和键盘部分的音色，削弱了标志性的吉他与其他节奏的结合。2010年发行的《LP4》则更富实验色彩。



五年过去，Ratatat 在去年7月经由 XL Recordings 发行了乐队的第五张全长专辑《Magnifique》。在乐队沉寂下来的五年之中，他们在前两张作品当中引人入胜的实验风格上作取舍，回归到早期以吉他音色为主导的特点。Mast 认为：“这是乐队有史以来最好的一张作品。制作《Magnifique》的过程一点也不拖泥带水，我们去了几个地方，搭起录音室就开始埋头苦干。”他们录音的行踪，从牙买加的安东尼奥港一直延伸到纽约的上州、长岛和布鲁克林。那些在卧室里做出的 beats，与粗砺原始的吉他 riff 相遇，再经历了实验音乐的磨练，Mast 和 Stroud 二人炮制出的这张《Magnifique》无疑已让 Ratatat 进入了新境界。七年前，他们曾经在上海芷江梦工场的舞台上，带来过让观众几乎掀翻房顶火热演出，也在去年的香港 Clockenflap 音乐节上惊艳四座。这个五月，VICE 中国将会把这支的电子舞曲乐队带到六座城市，你也肯定会再次跟着他们说不出为何令人着迷的电气音色起舞。Formerly known as Cherry, New York's rock-meets-electronica duo Ratatat feature multi-instrumentalist/programmer Evan Mast and guitarist Mike Stroud. Mast was also the brains behind the pretty laptop pop of E*vax, and with his brother E*Rock he ran the indie electronic label Audio Dregs. Stroud also played, in the studio and on tour, with artists including Ben Kweller and Dashboard Confessional. Between these duties (and Mast's job as a graphic designer), the duo found time to work on their collaboration. In his bedroom studio, Mast worked on beats and song ideas that he gave to Stroud to develop while the guitarist was on the road. Though Mast and Stroud began working together in 2001, things really began to come together for the pair in 2003: in May, while they were still called Cherry, they played their first gig; by September they changed their name to Ratatat; and that November they issued their first single, which had a limited run of 1,100 copies, on Audio Dregs.



Dates with Franz Ferdinand, Interpol, and Battles followed, and Ratatat signed to XL Records. The duo's self-titled debut album arrived in spring 2004, coinciding with another round of dates with bands including !!!, Electrelane, and Tortoise. Classics appeared in 2006, followed by a self-released remix album. Ratatat then took a different approach to their third full-length effort, emphasizing live percussion and keyboards while toning down their familiar mix of programmed beats and guitars. Recorded in several short weeks, LP3 was released in July 2008, followed by the more experimental LP4, released just shy of two years later in 2010.

Released its fifth full-length album, Magnifique, on XL Recordings in July 2015 - a solid five years after Mike Stroud and Evan Mast’s last release, LP4 from 2010. Following up on the experimental sounds of LP3 and LP4, Ratatat return to their core guitar-driven sound on Magnifique. “I feel like it’s our strongest record,” Evan says. “We did it in spurts. We made a few trips to different locations where we’d set up a studio and work.” Mike and Evan spent time in Port Antonio, Jamaica, upstate New York (at the same studio whereLP3 and LP4 were recorded), Long Island, New York and at their own studio in Brooklyn.  Combining the bedrock beats and primordial riffs from their first two albums with the sonic experimentation and production prowess of LP3 and LP4, Mike and Evan arrived at a new plateau with Magnifique.

This May, Ratatat will hit 6 towns throughout China with their highly identifiable tunes, VICE China will bring you wonderful nights here. Join the dancing crowds and go on a binge.

CodNew坊间俗称“烤妞”，却是一支正经的独立电子乐队，有着灵动的鼓点、丰富的采样音色和严肃的思考。呈现出的未来机械感，让他们成为这个重工业城市的异色。

乐队成立于2014年春天。在他们看来，这个理性的世界构造完美：机器一样的人，人一样的机器。然而，这看似冰冷的逻辑内在，却有一种温暖的力量。乐队的作品会反映他们当时的一些思考状态：有美好，有破灭；有家庭，也有宇宙。是应该理智还是随性，本身就不是一种绝对的对错。而人类的情感也是如此，没有单纯的开心，也没有单纯的悲伤。乐队希望能用音乐记录下当下的想法与一些细微的情感。不过有时候对他们来说，最实在的快乐也许只需两碗羊肉泡馍便足够了。

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