特别推荐｜吴少清：从敦煌飞天到“三界”的空灵禅梦

吴少清 （ Shaoqing Peter Wu ）：自由艺术家，1960年出生于浙江温州，世界华人美术家协会会员、中国美术家协会浙江省分会会员。深造于中国美术学院，曾荣获北美亚洲艺术家协会杰出艺术家奖，现居住于上海和温州。...

“吴少清的作品，真正的欣赏者不仅感受到表象丰富的空间，还可以读出‘时间’，正是那个无影无踪、不可触摸、彻底抽象的第四维‘时间’，才是吴少清作品的真正主角。使吴少清作品富有灵气，变幻无穷，即悠远又强烈，洋溢着生命之力。为欣赏者提供了一种全新的、创造性的、自省内敛的、禅宗式审美体验。”

——旅美艺术评论家

国际中国文化出版社社长

美国亚洲文化学院董事会主席

赵晓明先生

吴少清 | 从敦煌飞天到“三界”的空灵禅梦

吴少清 （ Shaoqing Peter Wu ）：自由艺术家，1960出生于浙江温州，祖籍乐清。世界华人美术家协会会员、中国美术家协会浙江省分会会员。深造于中国美术学院，曾荣获北美亚洲艺术家协会杰出艺术家奖，现居住于上海和温州。

吴少清七十年代中期开始创作和参加展览，为了从大自然和传统文化中吸取创作艺术灵感，独自前往全国各地写生。九十年代中期曾多次深入敦煌莫高窟，并沉浸在古代东方神秘主义美学思想之中。从九十年代后期，开始研习东、西方美学，并创作了一批现代抽象风格作品，这一时期的代表作品有：《光与影系列》、《大地系列》。从二十一世纪初，创作的代表作品有：《状态系列》、《萌觉》系列等。



吴少清近期的作品《三界》系列，所激发出来的审美意识既是具象的，又是抽象中蕴含着意象。作品以神秘的线和精致的点为元素，从其层层叠叠、流动清透的画面里，让人穿越了时空的界限，感受到了宇宙的博大精深。透过自己的艺术符号，将一个个灵动浩渺、梦幻般的画面呈现出来，力图达到一种澄净玄冥的心灵境界， 吴少清的作品不能说是哲学式的深奥和不可名状，却有步入虚灵、与天地链接的释然，在作品中能感悟禅宗的空境。

吴少清历年的作品，呈现了他不同时期的思想轨迹和人文关注。他九十年代中期敦煌之行和创作的敦煌壁画系列作品，梳理了传统绘画尤其是宗教画的绘画流程。从九十年代后期到二十一世纪初，他这时期的作品，画面注重抒情和华丽，以“前卫抽象”给人留下深刻的印象。从二零一五年开始，作品呈现的是冷静和厚重，不难看出这是一个艺术家蜕变的过程。吴少清探索抽象艺术表达近三十年，三十年的渐悟似乎已突入顿悟境界，看似无象中包含万象。画家的虔诚信仰，融汇在了他的《三界》系列作品里。

美国艺术评论家穆齐尔曾评论道：“ 作为杰出画家，吴少清几十年的绘画实践，孕育着虚幻的时空，叙述着独到的感悟 ”。吴少清的创作以其独特的风格和艺术追求，受到了评论界及社会的赞誉和关注。近年来，他参加了许多国内和国际画展，作品曾被美国亚洲文化学院及国内外广为收藏，其中两幅当代抽象油画作品被美国 “亚洲文化保存委员会” 作为《为未来记录今天》项目特别表彰、收藏于美国国会图书馆亚洲馆。

吴少清作品

吴少清 三界系列9 104cm×180cm 布面丙烯 2015

Freelance artist Shaoqing Peter Wu was born in 1960 in Wenzhou, Zhejiang, China. He graduated from China Academy of Art. He is a member of Zhejiang Chinese Artists Association and a member of World Chinese Artists Association. He was awarded as a distinguished artist by Asian Artists Association of North America. He currently lives in Wenzhou and Shanghai.

His recent collections are titled Origin of Three Worlds, which express a fusion of desire, form and formlessness , a fusion of heaven, earth and human beings , a fusion of universe and human spirituality as well as a fusion of macroscopic and microscopic. His paintings exhibit the uncertain while interrelated connection of truth and illusion in this  mystic universe and his effort to unite the perspectives of real world and universe. He explores deeply into the reality and the unseen of human spiritual activities and insists that there must be reasons behind them. With his own artistic language, he manages to deliver Zen Buddhism thinking  in his works. Although he is not meant to be a philosopher, he tries to bring people to imagine the relation between  universe and us, making people focused, liberated and transcended.

His collections Origin of Three Worlds are both specific and abstract. He translates time and space by mysterious lines and exquisite dots, reflecting the flowing, mobile and crystal universe which is gigantic and sublime. He describes the universe in such a magic way that he enriches our visual appreciation  and spiritual imagination.

His art style changes as he grows. From late 90”s to early 21 century, his works were passionate and avant-garde. But his latest collections are sober and serious. He said, “ The Origin of Three Worlds collections is a part of my painting series Home Return. I find it is more and more important to think in Chinese way while creating modern art. “ Through his more than thirty years of artistic experience, he has successfully built his own religious belief, Chinese classic aesthetic   and modern art theories into his collections of Origin of Three Worlds.

Chinese American art critic Mr. Xiaoming Zhao, Chairman of China International Press, Chairman of U.S. Asian Cultural Academy, said, “ We can see not only space but also time in his collections. It is this very abstractive time that makes his works unique and alive, offering us a new  and creative  experience like Zen Buddhists. “  American art critic Musil commented, “ A foremost painter in his field, Mr.Wu has decades of oil painting experience. His abstract paintings present temporal illusion and distinct insights.” Mr. Wu has received acclaim from both critics and the public for his unique style and ideas. In recent years, he participated in many art exhibitions both domestic and abroad and his paintings were collected by U.S. Asian Culture Academy and many other collectors in the world. Two pieces of his abstract paintings were honored by Asian Cultural Preservation Commission for the special project of Record Today for the Future and were collected by Asian Museum of the United States Congress Library.

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