【每日一题】AP 艺术史 20170306
格为每日一题，每周三科。告诉格为君你想学习的内容，我们将根据你的意愿决定学科。...
告诉格为君你想学习的内容
我们将根据你的意愿决定学科
每日一题，由你决定
我们将根据你的意愿决定学科
每日一题，由你决定
AP
艺术史
后期欧美艺术
0006
Suggested time: 30 minutes
Many works of art are intended to convey an interpretation of a culture’s history. Completely identify one work of art that conveys an interpretation of a culture’s history. Identify the intended audience of the work. Describe the historical content that the work is intended to convey. Then, using specific visual and contextual evidence, analyze how the work conveys that historical content.
When identifying the work, you should try to include all of the following identifiers: title or designation, name of the artist and/or culture of origin, date of creation, and materials. You will earn credit for the identification if you provide at least two accurate identifiers, but you will not be penalized if any additional identifiers you provide are inaccurate. You must include at least two accurate identifiers beyond those that are given.
- The Burghers of Calais
生词
- interpretation 解读，理解
- identifier 标识符
- designation 名称
- penalize 惩罚，扣分
本题是30分钟的论文题。一共7分，按照以下内容分配：
1）能够正确地举例出作品以及写出两个以上作品的信息得1分；
2）正确说出作品针对的人群得1分；
3）准确描述作品的历史背景和含义得1分；
4）准确描述作品的视觉线索得1分；
5）将视觉线索和作品的历史背景进行联系和深入分析得1分；
6）准确描述作品的内容背景得1分；
7）将内容背景和作品的历史背景进行联系和深入分析得1分。
1）作品信息：The Burghers of Calais－－额外的两个及以上标识信息：Auguste Rodin; 1884-1895 C.E.; bronze。
以下是作品的图片展示，作品在AP艺术史要求的250部要求学生掌握的作品列表中。
3）The Burghers of Calais的历史背景：Rodin’s sculpture was intended to commemorate an episode during the Hundred Years’ War. During the 11-month siege of Calais in 1347, with dwindling food and water, six of the city’s leaders offered themselves as hostages to English King Edward III in exchange for the freedom of the city. King Edward III accepted the offer, ordering the men to deliver the keys to the city to his camp and then be executed, but his wife, Philippa, persuaded the king to spare the lives of the burghers as she believed their deaths would be a bad omen for the child she carried.
4）5）6）7）The Burghers of Calais的视觉线索、内容背景及其与作品历史的联系：Rodin read an account of the siege of Calais and the actions of the six burghers (or city leaders) to inform his work. Rodin decided to show the aspect of the narrative in which the burghers are leaving the city to journey to the English King Edward III’s camp, bearing the keys to the city and wearing ropes around their necks, believing they are to be executed. Rodin’s innovative, realistic, and expressive portrayal of the six men in ragged clothes, demonstrates defeat, sorrow, uncertainty, and resolve, and defiance among the figures--one man’s jaw is firmly set, another has outstretched arms and an open mouth, and another holds his head in his hands. In his depiction of the heroes who are sacrificing their lives for their city and its occupants, Rodin evidenced the ravages of starvation and the fear of death. He also described these aspects in his writing about the work, and hoped to be praised for showing the truth of history instead of the more conventional approach of presenting glorified, triumphant heroes that his commissioners/patrons wished to see. Although Rodin presented the men at eye level so they would become part of the daily life of the residents of Calais, who would hold themselves to the same level of honor, commissioners of the sculpture sought a more traditional, heroic, and grand depiction of the men, so they elevated the work by placing it upon a high pedestal for display in a public park.
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名校是目标，常青藤导师是助力，但智慧是我们的追求
名校是目标，常青藤导师是助力，但智慧是我们的追求
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