【每日一题】AP 艺术史 20170308

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AP

艺术史

全球当代艺术

0008

Suggested time: 30 minutes

Many works of art are intended to convey an interpretation of a culture’s history. Completely identify one work of art that conveys an interpretation of a culture’s history. Identify the intended audience of the work. Describe the historical content that the work is intended to convey. Then, using specific visual and contextual evidence, analyze how the work conveys that historical content.

When identifying the work, you should try to include all of the following identifiers: title or designation, name of the artist and/or culture of origin, date of creation, and materials. You will earn credit for the identification if you provide at least two accurate identifiers, but you will not be penalized if any additional identifiers you provide are inaccurate. You must include at least two accurate identifiers beyond those that are given.

Darkytown Rebellion

生词

interpretation 解读，理解
identifier 标识符
designation 名称
penalize 惩罚，扣分

解析

本题是30分钟的论文题。一共7分，按照以下内容分配：

1）能够正确地举例出作品以及写出两个以上作品的信息得1分；

2）正确说出作品针对的人群得1分；

3）准确描述作品的历史背景和含义得1分；

4）准确描述作品的视觉线索得1分；

5）将视觉线索和作品的历史背景进行联系和深入分析得1分；

6）准确描述作品的内容背景得1分；

7）将内容背景和作品的历史背景进行联系和深入分析得1分。

1）作品信息：Darkytown Rebellion－－额外的两个及以上标识信息：; Kara Walker; 2001 C.E.; cut paper and projection on wall。

以下是作品的图片展示，在AP艺术史250部要求学生掌握的作品列表中。

2）Darkytown Rebellion的针对人群：The installation’s audience is primarily museumgoers who are confronted by,, and may inadvertently become part of, the brutal depiction of an imagined rebellion of slaves, making the work into a performative, participatory piece.

3）Darkytown Rebellion的历史背景：Walker’s installation was partly inspired by an anonymous late 19th-century landscape painting with African American caricatures called Darkytown. Walker developed the content as a fictional depiction of the brutalities of slavery in the antebellum United States based on a combination of many historical accounts and stories about slaves and slave owners. Walker depicts historical relationships of race, gender, and power.

4）5）6）7）Darkytown Rebellion的视觉线索、内容背景及其与作品历史的联系：Walker uses the Victorian medium of silhouette combined with modern technology (electronically projected light) to create a surreal landscape containing grotesque images of caricatured, stereotypical African American and white figures that depict slavery in the antebellum American South. Walker’s silhouettes include a flag-bearer, master and starving young slaves, nursing mother, woman in a hoop skirt and bonnet attacking a smaller figure, and various mutilated bodies and parts, interspersed with projected shapes of colored light. By including the shadows of present-day figures of viewers of the scene with the cut-paper historical figures within the scene via projected light, the historical content is intermingled with the present, demonstrating the influence of past events on our culture today, especially with respect to relations of race, gender, and power. Additionally, by referencing the 19th-century landscape painting Darkytown, Walker questions how the distorted figures from the past relate to today’s conceptions and depictions of African Americans.

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