竹林-白光——王永学 艺起艺术家

 

只要是真诚可感的作品,无论是由眼达心的还是由心达眼的作品,都是值得被欣赏的。...

纸于我天然就是亲近之物,铅笔为主要的绘画工具,根据画面需要用水溶性颜料做底色。每画一遍调子后会用胶矾水固定,如此反复到画面完成。铅笔调子在纸上划出印痕,反复叠加的印痕会形成印记,周而复始,,我用这最为笨拙的方式去营造灰色空间。平均单幅的创作周期在月余左右。

王永学

宿之四 纸上作品 105 x 105 cm 2011年 ¥16,000

Night No. 4, Works on Paper, 105 x 105 cm, 2011, ¥16,000
Paper is the most immediate and natural medium for me. I use pencils to draw lines, and wash these with watercolor. With the repetitious rubbing of graphite I create a grey space. Glue is used to fix the multiple layers of the painting until the work is complete. It takes me a month to execute each work.

Wang Yongxue

相形之惑 01 纸上作品 125 x 185 cm 2012年 ¥25,000

Appearances In Confusion 01, Works on Paper, 125 x 185 cm, 2012, ¥25,000
在创作过程中我比较注重时间的积累和营造的二维到二维半的灰色空间——我想寻找介于其中的可能性。如这繁杂又单一的世界;相似又不同的无数个体,那介于看似矛盾违和之间的是什么?定是有无实体的真实存在。就像树木葱茏,繁花迷眼,浅草隐迹。因此必须抛弃不必要的浮夸,回归朴素。

王永学

相形之惑 02 纸上作品 175 x 115 cm 2012年 ¥25,000

Appearances In Confusion 02, Works on Paper, 175 x 115 cm, 2012, ¥25,000
In the process, I focus on accumulation over time and explore the possibilities of the two-dimensional in an almost three-dimensional grey space. In both the complex and simple world, there are countless and diverse entities. What are the internal contradictions that lie between object and space? The contradictions may or may not have a concrete form and existence and are like the hidden tracks embedded in the lush forests and flourishing blossoms of the Asakusa Temple. Here, we are lead to eliminate the over elaborate and return to the essence.

Wang Yongxue

弄景系列之空巢 纸上作品 200 x 100 cm 2013 ¥25,000

Empty Nest, Works on Paper, 200 x 100 cm, 2013, ¥25,000
2011年创作至今,由荆棘系列到竹林-白光系列,能够看到我对具象写实到意向表达的一个转变,也是由叙事性画面到脱离叙事性,回归到更为单纯的绘画语言,每一次挣扎和纠结都使我对画面有了更为深刻的理解,也更为自信大方向的正确。我对艺术创作的体会是向内的,并自我陶醉这极为枯燥的反复。艺术家由于个人追求和审美取向的不同,使得作品的侧重有所不同。但只要是真诚可感的作品,无论是由眼达心的还是由心达眼的作品,都是值得被欣赏的。

王永学

竹林白光系列 03 纸上作品 90 x 150 cm 2015 ¥28,000

Bamboo Forest In White Light 03, Works on Paper, 90 x 150 cm, 2015, ¥28,000
Since 2011, there have been major changes in my work – from the Thistle and Thorn series to the White Light series I have evolved from realism to abstraction, from the narrative to the non-narrative. I have returned to a more simple expression. Through this torturous process I have gained a deeper understanding and a greater confidence in my personal direction.  I am obsessed and adore the humdrum repetition of my art practice. Every artist has their own personal ideal and aesthetic that distinguishes their art. If the works are honest, they strike the heart and therefore are worth appreciating.

Wang Yongxue

青竹的灰度联系07 纸上作品 60 x 150 cm 2014 ¥14,000

Bamboo in grey 07, Works on Paper, 60 x 150 cm, 2014, ¥14,000
关于艺术家


About The Artist
 
王永学 Wang Yongxue

出生日期 / Born: 1981

出生地点 / Hometown: 辽宁省 Liaoning Province, China当前住址 / Current City: 北京 Beijing, China近期展览 / Exhibitions :2015 嘭!OUT OF THE BOX,红门画廊,北京

2015 Peng! OUT OF THE BOX, Red Gate Gallery, Beijing

2015 《衍生之一》 参加 保利艺起来青年艺术家提名展,保利拍卖,北京农业展览馆,北京

2015  Art Up, Beijing Agriculture Museum, Beijing2015 《弄景系列之空巢》,《弄景系列之独角仙》,《浮生之一》参加链接——当代青年艺术提名展,悦美术馆, 北京7982015  Yue Fine Art, 798 Art District, Beijing

2014 《相形之惑之二》《青竹系列》参加 CIGE 第十届中艺博国际画廊博览会,作者画廊,北京国际会展中心,北京2014  CIGE, Author Gallery, Beijing International Exhibition Center, Beijing

2014 青年艺术家推荐计划—王永学,逸空间,国贸,北京

2014  Wang Yongxue Solo, Yi Art Space, Beijing
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